![]() ![]() John Galliano can be credited with giving the world the Saddle Bag in 1999, as part of Dior’s spring 2000 ready-to-wear collection. As of late, the bag has been offered in small, medium, and large sizes fabricated-by hand-in supple calf leather, patent leather, Dior’s famed toile de Jouy, and other jazzier renditions and remixes. The bag was as beloved as the woman who inspired it, and it’s since become a permanent fixture within Dior’s handbag collection. The prim purse was presented to Princess Diana at a Cézanne exhibition at the Grand Palais, and she wore it on subsequent visits to Birmingham, England, and Argentina. The Lady Dior bag was also crafted with a pair of demi-arched handles and yellow gold hardware. Like the posture required of such a lady, the bag didn’t and couldn’t slouch-and perhaps nodded to Monsieur Dior’s design philosophy: “I wanted my dresses to be constructed like buildings,” he once said. It featured black quilted leather (a design inspired by the upholstery on the Napoleon III chairs Monsieur Dior used at his first shows) that wrapped an elegantly rectangular box. The resulting design was, appropriately, fit for a princess. As the story goes, in 1995, Bernadette Chirac, the wife of French president Jacques Chirac, rang up Dior with a request: She wanted the maison to craft a custom bag that would be gifted to Princess Diana on her visit to Paris. One of his most lasting contributions to the brand is unquestionably the Lady Dior bag. In 1989, Gianfranco Ferré began his appointment as creative director for the house of Dior. And no Dior handbag history would be complete without the style made famous by the most regal of Miss Diors-a certain Princess Diana, for whom Dior named the Lady Dior bag. Since then, John Galliano splashed the Oblique all over everything from itty-bitty bikinis to his signature giddy-up Saddle bags, and current Dior creative director Maria Grazia Chiuri has applied it liberally to handbags of all shapes and sizes. It was two years before the world first saw it look 42 from the spring 1969 collection featured a positively modish model wearing a woolly coat, bug-eye specs, and a boxy shoulder bag bearing the would-be iconic monogram. (One Yves Saint Laurent was next in the line of succession, after which Bohan arrived in late 1960.) In 1967, Bohan drummed up the Oblique monogram, in which the four letters of Dior appear tossed together at an italic tilt and then stacked upon each other over and over until they form a diagonal line. But the cult of Dior handbags as we know it now-the Lady bag, the Saddle bag, the Book tote-should really be traced to Marc Bohan, the second designer to take the helm of the fashion house following Monsieur Dior’s untimely death from a heart attack in 1957.
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